Scottish
Fiddle Music

Fully
Rigged
Aly Bain is probably one of the best-known and most significant
fiddle-players in the Scottish tradition. Aly
Bain
was born in Lerwick, Shetland, and was taught fiddle by the
famed Tom
Anderson
.

The
Road North
Alasdair Fraser. Alasdair Fraser is recognized throughout the
world as one of the finest fiddle players Scotland has ever
produced. Scottish Fiddle Music. Scottish
Fiddle Music
.
Celtic
Circles
Inspired by the Celtic circles of ancient Scotland, Bonnie
Rideout
paints a musical picture through time, joining the heavens and
earth to the cycles of everyday life. Performed on Scottish
fiddle with gold medal piper Eric Rigler on the Great Highland
bagpipe, Scottish smallpipes and uilleann pipes. Eric did all
the Bagpipe music on Braveheart and Titantic! Also accompanied
by guitar, Celtic harp, viola da gamba, hammered dulcimer, bass
and bodhran. Includes: North Highland tunes from The Patrick
McDonald Collection, 1784, pipe marches, strathspeys, jigs and
reels, laments and traditional favorites: Flo'ers o' The Forest,
Gillie Calum and Prince Charlie's Farewell to Scotland.Praised
by the Washington Post who says:"Time passes swiftly here,
but also soulfully, elegantly and intelligently as Rideout's
instrumental flair and emotional sensitivity on both fiddle
and viola are consistently enhanced by her impressive scholarship.
In exploring and celebrating her Scottish heritage, she unearths
and unites a marvelous collection of ancient airs, reels, strathspeys
and tales, adds a couple of her own tradition-steeped pieces,
then arranges them all with a rare combination of thematic logic
and orchestral grace. Scottish
Fiddle Music
.

Macpherson's
Rant and Other Tales of the Scottish Fiddle
the Scottish Fiddle. The fiddle has long played an important
parting Scottish musical tradition. Here in MacPherson's Rant
and Other Tales of the Scottish Fiddle there are stories that
reflect that importance. Whether the fiddle is in the hands
of the notorious Highland freebooter MacPherson or being played
by a young man learning a fairy tune, these tales reflect a
traditional culture that us still thriving. Some of the stories
are truly ancient while others quite modern, but all show that
throughout Scotland there has long been a ready audience for
music made by horsehair on catgut. Today as Scottish culture
continues to thrive in the face of all the modern world can
throw at it we should perhaps think on what Robert Burns once
aid to a friend, 'Lang may yer elbuck, jink an diddle.' In addition
to introducing some of the most famous, as well as some of the
lesser-known, tales of the Scottish fiddle, Stuart McHardy also
examines the history of the instrument, its repertoire and the
place the fiddle and the fiddler have played in Scottish culture
over the centuries. The result is a lively and informative companion
to one of the central elements of the Scottish musical tradition.
Scottish
Fiddle Music.
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