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J. Scott Skinner
J.
Scott Skinner, the youngest son of Wm. Skinner and Mary Agnew,
was born in Banchory-Ternan on the 5th of August, 1843. His father
was originally a gardener but after losing three of the fingers
of his left hand, he became a left-handed fiddler and a prominent
dancing master on Deeside. His mother was bereaved when J. Scott
Skinner was only eighteen months old, but remarried. When the
future “Strathspey King” was about seven years of age his brother,
Sandy, apprenticed him to the violin and ‘cello, and within two
or three years he had gained sufficient proficiency in vamping
on the latter instrument to accompany his bigger brother at the
local dances. Soon afterwards he came under the influence of Peter
Milne and shared some of the latter’s joys and sorrows while playing
in and around the district. In 1855, after being in irregular
attendance at Connell’s School, Princes Street, Aberdeen, for
about three years, he enlisted in Dr. Mark’s celebrated troupe
of “Little Men,” at that time in the Granite City, and accompanied
them to their headquarters in Manchester, there to start a six
years’ course in intensive musical training and a tour of the
four countries. J.S.S. was in this juvenile orchestra when it
gave its command performance before Queen Victoria at Buckingham
Palace on the 10th of February, 1858. Fortunately he met Charles
Rougier in Manchester, and to that celebrated French violinist’s
schooling in Kreutzer studies, etc., he attributed much of his
future success. Three months before completing his apprenticeship
under the German “Professor” he escaped from Glasgow to his mother’s
new home in Aberdeen, there to rejoin Peter Milne. With almost
a year’s tuition in dancing from Wm. Scott, “Professor” of Elocution,
Stoneywood, J. Scott Skinner now held dancing classes in the district
as far out as Alford. He actually beat the renowned John M’Neill
of Edinburgh in a sword-dance competition in Ireland in 1862 and
the following year played The Marquis of Huntly’s Farewell and
The Marquis of Tullybardine at a grand strathspey and reel competition
in Inverness, thereby gaining the first prize and ousting perhaps
the best players in Joseph Lowe’s Edinburgh Band. When he subsequently
extended his field of activities to the Ballater district his
reputation soon reached the ears of the Queen, who requested him
to teach the tenantry at Balmoral callisthenics and dancing. In
1868 he claimed to have 125 pupils there.
By
1870 Scott Skinner had married and settled in Aberlour, with his
wife to assist him in his duties. He then removed to 2 South College
Street, Elgin, and for some twelve years continued in the double
role of dancing master and solo violinist. As a concert artiste
his name was now on everyone’s lips. In 1879 he held a long series
of concerts throughout the north and east of Scotland and, to
judge from his programmes, including De Beriot’s 7th Air in E
Major and First Concerto, Op. 16, Mozart’s Figaro Overture (as
a Trio) and P. Rode’s Air Varie, Op. 10, he must then have been
a virtuoso of some standing. By 1880 his adopted daughter, Jeanie
Skinner (later Mrs. Frank Sutherland), was figuring prominently
as his pianist. His partnership with his wife seems to have terminated
rather abruptly about 1881, when the latter was taken to Elgin
Hospital, there to spend the remainder of her days. About 1883
J. Scott Skinner took up residence at 4 Dee Street, Aberdeen,
and advertised his Dancing Academy at 9 Silver Street, but in
1884 he was alternately at 95 High Street, Elgin and 22 Union
Terrace, Aberdeen. Not long after the death of his brother, Sandy,
the latter’s widow, Madame de Lenglee, became his partner and
continued in that capacity for several years. His concert advertisements
during this period show that his various abodes were not fixed
for many years. In 1893 he toured the U.S.A. with Willie MacLennan,
the celebrated piper and dancer, but the rather sudden death of
the latter upset the Strathspey King’s calculations, so within
eight months he was back in his native Scotland.
He
practically gave up dancing now and concentrated on his Andrea
Guarnarius. While staying in Union Grove, Aberdeen, he met his
second wife and by 1897 he had married her and settled at Monikie,
near Dundee. There he wrote some of his best compositions and
devoted much of his time to amateur gardening. In 1899 he went
on a concert tour. About 1909 his wife “resigned” and went to
Rhodesia, leaving the “King” once more on his own. For alternate
periods during the next thirteen years his headquarters were principally
at Alexr. M’Pherson’s, Kirriemuir; Wm. F. M’Hardy’s, Drumblair
House, Forgue; Glencoe House, Carnoustie; Darling’s and The County
Hotels, Edinburgh. His concert engagements, many of which were
organised by J.C. Lumsden, Edinburgh, were at this period very
numerous. In 1922 J. Scott Skinner came to reside at 25 Victoria
Street, Aberdeen, and up to 1925 was the leading artiste in five
different tours, his last public performance in Britain being
given at Oldmeldrum on the 25th of April, 1925. The following
year, after having been an invalid for some considerable time,
he was unwisely tempted to go to a reel and jig competition in
U.S.A. There he encountered his pet aversion, an unsuitable pianist,
and marched off the platform before finishing his test pieces.
Nevertheless he was given a royal reception and later demonstrated
that he was still, in spite of his years, the “Strathspey King.”
He returned home to spend most of his remaining days in bed and
died on the 17th of March, 1927. The pipe band of the Aberdeen
City Police led the funeral procession to Allenvale Cemetery and
George S. MacLennan, the famous piper, played Lochaber No More
over the Strathspey King’s last resting place.
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